The flight of petruccia.
Edward Robert Hughes, from The Pecorone of Ser Giovanni, by Giovanni Fiorentino, translated by W. G. Waters, London, 1897.
(Source: archive.org)
The flight of petruccia.
Edward Robert Hughes, from The Pecorone of Ser Giovanni, by Giovanni Fiorentino, translated by W. G. Waters, London, 1897.
(Source: archive.org)
Wooden Sculptures made from Interlocking Wood by Korean artist Lee Jae-Hyo
(via theheadandheart)
Kevin Russ | His Tumblr
Kevin Russ, a photographer from Portland, captures the feeling of the american landscape. Being far from cliche his work reinvents the classical motives of early twentieth century painters and explores the subtle dialog between the constant and still environment and a moving trains, cars or animals.
I love Kevin Russ long time.
Reticella, plate B 4.
From I singolari e nuovi disegni per lavori di bianchería (Remarkable and new designs for linen work), by Federico de Vinciolo, Bergamo, 1909.
(This is a reprint of the 1606 edition of Les Singuliers et Nouveaux Pourtaicts, du seigneur Federic de Vinciolo Venitien, pour toutes sortes d’ouvrages de lingerie, published in Paris)
(Source: archive.org)
HOW THE FUCK
They used white crayons to draw it, and afterwards they placed ink.
#AND IN THAT MOMENT THE WHITE CRAYON WASNT SO FUCKING USLESS
(Source: salt4life, via fyeah-i-like-dat)